NEVER UNDERESTIMATE HUMAN STUPIDITY THE MOST STUPID RECORD EVER? You know what? We tried to make the most stupid record ever. And of course we failed. It was a stupid idea in the first place. But having a stupid idea should be a good place to start, shouldn't it? Of course, it isn't. There is a big difference between doing a stupid piece of music and TRYING TO DO one. Some artists featured in this compilation did not try to make a stupid piece of music: they just unearthed the most stupid track...
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Topics: Other, stupid, file under toner

file under toner and now, the end is near exp_net, 2010 side A: 20100528_contrabanda (30:53) 3 copies of the cd "this is the end, beautiful friend" premiered at los des-conciertos de 25 hombres side B: 20101030_marx (32:04) 4 copies of the cd "this is the end, beautiful friend" 4th copy Anton Ignorant recorded live no copyright free download http://www.ankitoner.com http://www.experimentaclub.com/exp_net/
Topics: anki toner, file under toner, surface noise, meta-sampling

File Under Toner Resistance Emotional Mixes, vol 1 Hazard Records, hr069 (2012) Public Domain Free Download www.hazardrecords.org Recorded live at Dispositiu Camp Magnètic (Barcelona) 2011.11.18 Thanks to Lucy, Sebastià , Victor Front photo: unknown photographer Back photo: Carmen Milla Resistance Emotional Mixes (concept indebted to Superelvis' Resistance Emotional Music, of course) are blind mixes of cds brought by the audience and which the performer has not heard previously (not even...
Topics: appropriation, plunderphonics, improvisation, live, Anki Toner, Superelvis, File Under Toner

FILE UNDER TONER - This Is The End, Beautiful Friend hazard records cd061 2008 no copyright public domain free download www.hazardrecords.org www.ankitoner.com ------------------------------------------------------------------------------ We think the problems with this release (see below) are caused by some stupid spam/copyright-infringment filter, that has misread/misunderstood the liner notes. We have tentatively reuploaded the album, but we have "hidden" part of the credits. See...
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Topics: Anki Toner, File Under Toner, plunderphonics, surface noise, vinyl, Hazard Records

FILE UNDER TONER 2U hazard records hr082, 2014 -------------------------------------------- 1. HIFI STUDIO MIX (TO YOU) 5:12 2. LUNAR LANDING MIX (TULLÚ) 2:51 3. SHORTWAVE RADIO MIX (T’OUILLOU) 5:29 4. PRIMITIVE BAPTIST MIX (TE OYÓ) 3:36 -------------------------------------------- YOU, TOO - MAKE YOUR OWN: One of the most beloved voices in music radio, Kemal Amin “Casey” Kasem, died on Father's Day 2014 after a long illness, and also a very public family squabble over his continuing...
Topics: culture jamming, appropriation, plunderphonics, Negativland, File Under Toner, Anki Toner, Hazard...

file under toner 1812@33 hazard records hr078, 2014 ------------------------------------------------------- All the sounds in the "The End" series come from supposedly silent final grooves of vinyl records. In this case they come from 12 different albums, all of which feature Pietr Ilitx Tchaikovsky's 1812 Ouverture, and all of which spin at 33 rpm. As in all other works of this series, you cannot be sure if what you are hearing really comes from the alleged records. You have to take...
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Topics: vinyl, surface noise, silence, plunderphonics, anki toner, file under toner, hazard records

Appropiation. Superelvis, Obsolete Farmer, FMOL Trio Minus One, David Rodríguez, xarx & File Under Toner played (or did what they had to do to) Love Story in a series of shows. Musica Veneno plundered these shows for his own, which closed the cicle. This is the result.
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Topics: Plunderphonics, appropriation, file under toner, superelvis, obsolete farmer, xmarx, beef, FMOL...

dj hazard  propia copia revisited hazard records hr080, 2014 Total lenght: 43'43". As in other DJ Hazard works, the total lenght of this track is the sum of the lenght of the individual tracks of the revised work. All sounds and texts taken from "Pròpia Copia" (Hazard Records, hr005, 1999). These sounds and texts were originally credited to: Oscar Abril Ascaso, Javier Ariza, José Manuel Berenguer, Martin Fuks, Clara Garí, José Iges, Maison Bricolage, Xavier Maristany, Marc...
Topics: appropriation, plunderphonics, public domain, Oscar Abril Ascaso, Javier Ariza, José Manuel...